1181 Question/Answers

In the pivotal breakfast scene in Kramer vs. Kramer, what is the negative/positive charge in that scene?

In the pivotal breakfast scene in Kramer vs. Kramer, what is the negative/positive charge in that scene?

Feb 24, 2012 - 12:00 AM

1 Follower

When looking at characters in your work from the inside out, do you do that for all the roles or just the protagonist?

When looking at characters in your work from the inside out, do you do that for all the roles or just the protagonist?

Feb 23, 2012 - 12:00 AM

Other than bringing positive qualities to a character that is not a nice person, how can you build the audience’s empathy with that character?

Other than bringing positive qualities to a character that is not a nice person, how can you build the audience’s empathy with that character?

Feb 22, 2012 - 12:00 AM

I notice in many movies, there are multiple screenwriters. Do they usually work together or more in layers?

I notice in many movies, there are multiple screenwriters. Do they usually work together or more in layers?

Feb 21, 2012 - 12:00 AM

1 Comment

You say that conflict is what drives a story. Does this apply in journalism to news stories as well?

You say that conflict is what drives a story. Does this apply in journalism to news stories as well?

Feb 20, 2012 - 12:00 AM

What are the main features of an education plot?

What are the main features of an education plot?

Feb 17, 2012 - 12:00 AM

What is the difference between a redemption plot and an education plot?

What is the difference between a redemption plot and an education plot?

Feb 16, 2012 - 12:00 AM

How can an audience be moved by minimalism as they are by classical design?

How can an audience be moved by minimalism as they are by classical design?

Feb 15, 2012 - 12:00 AM

How do you avoid being schizophrenic when you have two important characters in the same scene and you have to go back and forth between the two?

How do you avoid being schizophrenic when you have two important characters in the same scene and you have to go back and forth between the two?

Feb 14, 2012 - 12:00 AM

When you are writing from the protagonist’s point of view and you also have to get into the other characters’ heads, do you bounce back and forth as you go or concentrate first on one, then go back and fill in the others?

When you are writing from the protagonist’s point of view and you also have to get into the other characters’ heads, do you bounce back and forth as you go or concentrate first on one, then go back and fill in the others?

Feb 13, 2012 - 12:00 AM

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