1181 Question/Answers

When writing, a writer often must be isolated. How can a screenwriter get the support of his family?

When writing, a writer often must be isolated. How can a screenwriter get the support of his family?

Jun 01, 2012 - 12:00 AM

What is the best way to keep an audience involved with the spine of action of a TV series?

What is the best way to keep an audience involved with the spine of action of a TV series?

May 31, 2012 - 12:00 AM

When charting out your story, how do you build a sequence and connect the individual scenes so that you can see it?

When charting out your story, how do you build a sequence and connect the individual scenes so that you can see it?

May 30, 2012 - 12:00 AM

When you talk about beats, scenes and acts, are you actually plotting those out on cards or a big white board on the wall?

When you talk about beats, scenes and acts, are you actually plotting those out on cards or a big white board on the wall?

May 29, 2012 - 12:00 AM

1 Follower

Do you have any insight on how to express the subconscious desire of a character in a screenplay?

Do you have any insight on how to express the subconscious desire of a character in a screenplay?

May 28, 2012 - 12:00 AM

1 Comment

What are your thoughts on conveying non-spoken, written communication to an audience, such as with email?

What are your thoughts on conveying non-spoken, written communication to an audience, such as with email?

May 25, 2012 - 12:00 AM

Do you feel there is an advantage to going to a script analyst when you become lost in where to take your story?

Do you feel there is an advantage to going to a script analyst when you become lost in where to take your story?

May 24, 2012 - 12:00 AM

When you are trying to gauge if you need more sets in your story, what are some indicators that you are re-hashing the same location too often?

When you are trying to gauge if you need more sets in your story, what are some indicators that you are re-hashing the same location too often?

May 23, 2012 - 12:00 AM

How do you gauge the necessary limits of your story’s geography?

How do you gauge the necessary limits of your story’s geography?

May 22, 2012 - 12:00 AM

If there are generally 40 to 60 events that occur in a story, does that change with a multi-protagonist 30-minute pilot?

If there are generally 40 to 60 events that occur in a story, does that change with a multi-protagonist 30-minute pilot?

May 21, 2012 - 12:00 AM

1 Comment

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