1181 Question/Answers

Aristotle states that writers should prefer probable impossibilities to improbable possibilities. Can you clarify this distinction?

Aristotle states that writers should prefer probable impossibilities to improbable possibilities. Can you clarify this distinction?

Jun 13, 2014 - 12:00 AM

You encourage writers to master their craft. What is the most important aspect to spend time developing?

You encourage writers to master their craft. What is the most important aspect to spend time developing?

Jun 12, 2014 - 12:00 AM

Can I shift the tense in which I'm telling a story in different chapters? How about the point of view?

Can I shift the tense in which I'm telling a story in different chapters? How about the point of view?

Jun 11, 2014 - 12:00 AM

How do the principles of Story apply to an episodic movie or novel, such as a memoir?

How do the principles of Story apply to an episodic movie or novel, such as a memoir?

Jun 10, 2014 - 12:00 AM

Can you explain the difference between character revelation and character change?

Can you explain the difference between character revelation and character change?

Jun 09, 2014 - 12:00 AM

Do the characters that form a group protagonist each need a separate inciting incident?

Do the characters that form a group protagonist each need a separate inciting incident?

Jun 06, 2014 - 12:00 AM

Your STORY seminar seems very philosophical. Can these principles be applied to life?

Your STORY seminar seems very philosophical. Can these principles be applied to life?

Jun 05, 2014 - 12:00 AM

1 Comment

How much emphasis should I put on making a screenplay readable?

How much emphasis should I put on making a screenplay readable?

Jun 04, 2014 - 12:00 AM

What’s the difference between a log line and a controlling idea?

What’s the difference between a log line and a controlling idea?

Jun 03, 2014 - 12:00 AM

You say that every scene should turn. But should every scene give the character a dilemma where they must choose between two irreconcilable goods, or two evils, as they should in the crisis climax?

You say that every scene should turn. But should every scene give the character a dilemma where they must choose between two irreconcilable goods, or two evils, as they should in the crisis climax?

Jun 02, 2014 - 12:00 AM

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