1181 Question/Answers

Is it dangerous to insert yourself into your own story?

Is it dangerous to insert yourself into your own story?

Oct 05, 2012 - 12:00 AM

What suggestions do you have for creating great stories from my own real life while protecting my loved ones, and protecting the story from me identifying with it too much?

What suggestions do you have for creating great stories from my own real life while protecting my loved ones, and protecting the story from me identifying with it too much?

Oct 04, 2012 - 12:00 AM

1 Comment

Can you have more than one antagonist in your story?

Can you have more than one antagonist in your story?

Oct 03, 2012 - 12:00 AM

How can we use character as the basis for structure?

How can we use character as the basis for structure?

Oct 02, 2012 - 12:00 AM

1 Comment

How can we get people to stop going to sequels and remakes?

How can we get people to stop going to sequels and remakes?

Oct 01, 2012 - 12:00 AM

1 Comment

What is the more important part of story for a modern film consumer - an emotional or a narrative moment?

What is the more important part of story for a modern film consumer - an emotional or a narrative moment?

Sep 28, 2012 - 12:00 AM

How do you get out of a sense of inertia and find the right subject for your script, when you allocate time every day to write but feel scattered and unable to move forward with purpose on a chosen subject?

How do you get out of a sense of inertia and find the right subject for your script, when you allocate time every day to write but feel scattered and unable to move forward with purpose on a chosen subject?

Sep 27, 2012 - 12:00 AM

How do I make myself more familiar with the principle of “the negation of the negation”?

How do I make myself more familiar with the principle of “the negation of the negation”?

Sep 26, 2012 - 12:00 AM

Your book “STORY” is an analysis of how to write a classical screenplay. Have you considered writing an analysis of alternative ways of storytelling?

Your book “STORY” is an analysis of how to write a classical screenplay. Have you considered writing an analysis of alternative ways of storytelling?

Sep 25, 2012 - 12:00 AM

4 Comments

Many Russian writers want to make a movie that would be interesting not only for Russians but internationally, but there are significant differences in the mentality of Russians and Americans, for example, making it hard for them to understand our movies.

Many Russian writers want to make a movie that would be interesting not only for Russians but internationally, but there are significant differences in the mentality of Russians and Americans, for example, making it hard for them to understand our movies.

Sep 24, 2012 - 12:00 AM

First
Prev
45
46
47
48
49
50
51
52
53
Next
Last

Home I Lessons I Interviews I Q & A I I Community I FAQ I About Robert McKee
© 2010-2020 Two Arts, Inc. All Rights Reserved • Robert McKee's Storylogue • PO Box 681 • Sherman, CT 06784
Tel: 928-204-2323 • Contact Us

In order to contribute to Storylogue, you must have a membership.
Create an Account

Username: *	Please enter the username used when registering for Storylogue
Password: *	Please enter your password
	or Create an Account

Forgot Password?

Forgot Password?

If you cannot find your password, enter your email here and we will send you a new password.

Email: *	Please enter the email you used to sign up on Storylogue
	or Cancel