You are viewing a clip of this video, click to Join. Members, click to Log in.
|
Now PlayingWhat is the best way to get my two sitcom spec scripts read by executives, especially since I don’t have an agent?
Aug 03, 2011 |
||||
When you sign up for Storylogue, you will also enjoy:
Can you explain the core event and the core emotion in the epic?
Aug 24, 2014
What is the purpose of jumping back and forth between multiple storylines within a feature film or TV episode?
Aug 17, 2014
What characterizes a sado-masochistic relationship?
Aug 16, 2014
Do you have any tips for writing a treatment that really sells?
Aug 10, 2014
How does writing an episode for a procedural crime show differ from writing a feature film thriller?
Jul 31, 2014
What's the best way to pitch a new story for television? Should I prepare a full script?
Jul 29, 2014
Do I have to be able to tell a story well verbally in order to be a good storyteller in my writing?
Jul 28, 2014
You will not be able to get past the girlie on the agent's switchboard if you phone. Most probably (certainly with the big 5 oligarch agencies) the girlies who answer the phone are probably even trained to get rid of you.
You will need to be very precise about the genre and sub genre of your comedy work and there is no advice about that in this forum.
You can do an online check with the WGA though some writers may not be members of the WGA or do not permit their details be made public so I'm not sure why McKee suggests you phone the WGA.
The WGA database does not identify particular agents within an agency - just the agency name handling a writer. Hollywood Creative Directory will give you a complete list of named agents and the medium they work in but not their relationships with named writers.
Not all agencies are signed up to the WGA.