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Now PlayingThe Mafia is a popular story subject. Can mob drama be considered a specific genre, and, if so, what would the conventions be?
Jan 19, 2011 |
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I grew up in my mother's version of The Great Gatsby and as an entertainment investment banker worked in multiple industries in all the major cities in the US; I have wonderful stories to tell but have a great deal to learn.
I have been studying for two years and almost ready to attend one of Mr. McKee's seminars. In the meantime I take the weekly lessons and will start to ask questions.
I did watch The History of Violence and and off to watch Midnight Run.
In terms of what I meant of "no limits" . I am going to speak in general terms just in case I decide to produce this film.
Example:
Gangster steals money from another gangster and leaves the country .
Gangster # 1 ( who stole the money ) has a friend who he leaves behind.
Gangster # 2 thinks that # 1 is in love with this friend.
How far will gangster # 2 go to torture the friend of gangster # 1 so that he will come back and save his friend?
If gangster # 1 comes back , gangster # 2 will kill him for stealing the money.
Where are the limits? What did he do to the girlfriend? What did he do to her children? The only limit is murder because dead she is no use to gangster # 2. Although, gangster #1 has partners, what are they doing?????
What are her options?
How long does it last?
How does it end?
When I referred to the "no rules" approach of the Mafia, I should have also said no limits.
An example:
I moved to a city which I thought was safe, much to my surprise it was controlled by the largest Mafia family in the world. Over the last five years various groups within the family have stolen large amounts of money from each other, the result, arrests, murders, bombing and intrigue.
The big question, where is all the money?
When a gangster, for lack of a better word, steals money from another gangster, he has a long-term plan. The best way to launder the money is take it into the straight world, but there has to be a transition point and that is a straight person.
This is the story, which can be very complicated. Gangster rules inflicted on a straight, unexpecting person. You can only write this if you know the story and you will never write it because you know the rules.
Do you get my point yet?
I should learn how to explain myself or go back to investment banking...
I believe that is what Mr. McKee stated in his answer. It is my opinion that an audience may enjoy seeing good win over evil, just a thought.
Every day honest businessmen and women go to the office unaware that someone who resembles them may throw their lives into chaos.
These gangsters have MBA’s and wear Armani suits; they are still criminals who need to launder “proceeds of crime”. They look like you and me, not a character out of The Godfather. We are their victims.