You are viewing a clip of this video, click to Join. Members, click to Log in.

Bandwidth: High

Low

< >

Share:

Now Playing

Should Comedy Characters Be Shallow and Soulless?

Apr 12, 2010

This is a Sample Member Question and Answer Page. Click here to become a member.

Q & A Discussion

Add Comment

ranjeetbahadurfilms: Thanks Mr. Mckee

at Jul 29, 2010 - 10:23 AM

thank you for this very useful insight..

Geoff: I agree with Bob McKee but have a question

at Apr 14, 2010 - 8:30 PM

I watched the movie Fletch over the weekend and could we say that Fletch's blind obsession was one-liners?

When you sign up for Storylogue, you will also enjoy:

Can you explain the core event and the core emotion in the epic?

Can you explain the core event and the core emotion in the epic?
Aug 24, 2014

You say that one of the conventions of the comedy genre is that "nobody gets hurt," yet the creators of South Park seem to cross this line regularly. How do they get away with it?

You say that one of the conventions of the comedy genre is that "nobody gets hurt," yet the creators of South Park seem to cross this line regularly. How do they get away with it?
Aug 23, 2014

What is the purpose of jumping back and forth between multiple storylines within a feature film or TV episode?

What is the purpose of jumping back and forth between multiple storylines within a feature film or TV episode?
Aug 17, 2014

What characterizes a sado-masochistic relationship?

What characterizes a sado-masochistic relationship?
Aug 16, 2014

Do you have any tips for writing a treatment that really sells?

Do you have any tips for writing a treatment that really sells?
Aug 10, 2014

I'm unable to attend your TV Day lecture this year. Can you recommend any other good resources for television screenwriting?

I'm unable to attend your TV Day lecture this year. Can you recommend any other good resources for television screenwriting?
Aug 09, 2014

How does writing an episode for a procedural crime show differ from writing a feature film thriller?

How does writing an episode for a procedural crime show differ from writing a feature film thriller?
Jul 31, 2014

You say that all scenes are essentially dialogue. Can you explain this concept in the context of a long speech, which might traditionally be thought of as a monologue?

You say that all scenes are essentially dialogue. Can you explain this concept in the context of a long speech, which might traditionally be thought of as a monologue?
Jul 30, 2014

What's the best way to pitch a new story for television? Should I prepare a full script?

What's the best way to pitch a new story for television? Should I prepare a full script?
Jul 29, 2014

Do I have to be able to tell a story well verbally in order to be a good storyteller in my writing?

Do I have to be able to tell a story well verbally in order to be a good storyteller in my writing?
Jul 28, 2014

Browse All Q&As >>>

Home I Lessons I Interviews I Q & A I I Community I FAQ I About Robert McKee
© 2010-2020 Two Arts, Inc. All Rights Reserved • Robert McKee's Storylogue • PO Box 681 • Sherman, CT 06784
Tel: 928-204-2323 • Contact Us

In order to contribute to Storylogue, you must have a membership.
Create an Account

Username: *	Please enter the username used when registering for Storylogue
Password: *	Please enter your password
	or Create an Account

Forgot Password?

Forgot Password?

If you cannot find your password, enter your email here and we will send you a new password.

Email: *	Please enter the email you used to sign up on Storylogue
	or Cancel